https://transmediajournalism.org/2020/08/31/all-the-news-thats-fit-to-push-the-new-york-times-company-and-transmedia-daily-news/https://transmediajournalism.org/wp-content/uploads/2020/08/banner.jpgBanner2023-07-21T16:38:22+00:00monthlyhttps://transmediajournalism.org/author/https://transmediajournalism.org/wp-content/uploads/2011/05/bio.jpgKevin Moloney, Sunday, April 27, 2008.2023-05-07T12:57:36+00:00weekly0.6https://transmediajournalism.org/2021/10/01/transmedia-change/https://transmediajournalism.org/wp-content/uploads/2021/10/transmedia_change_cover-1.jpgTransmedia_Change_Coverhttps://transmediajournalism.org/wp-content/uploads/2021/10/transmedia_change_cover.jpgTransmedia_Change_Cover2022-02-11T17:23:10+00:00monthlyhttps://transmediajournalism.org/2012/11/06/transmedia-journalism-in-499-words/https://transmediajournalism.org/wp-content/uploads/2012/11/back_page_belmar_08.jpgBack_Page_Belmar_082025-01-29T20:35:11+00:00monthlyhttps://transmediajournalism.org/2021/07/30/24h-worldwide-design-conversations-matt-slaby-on-transmedia-design-and-the-american-opioid-crisis/2021-07-30T14:02:06+00:00monthlyhttps://transmediajournalism.org/2020/06/18/join-me-for-24h-worldwide-design-conversations-june-24-at-5pm-edt/https://transmediajournalism.org/wp-content/uploads/2020/06/banner3.pngbanner32020-06-18T19:37:41+00:00monthlyhttps://transmediajournalism.org/2019/09/17/those-goddamned-stories-with-a-beginning-and-an-end-image-as-implied-story/https://transmediajournalism.org/wp-content/uploads/2019/09/punta_del_este_01.jpgJosefina Barbero, 8, leaps from the pinky finger of a giant sculpture of a hand protruding from the sand of the playa brava beach in Punta del Este, Uruguay. The venerable South American beach resort is having a rennaisance. (Kevin Moloney for the New YorClimax: Beach play in Punta del Este, Uruguay. © Kevin Moloney, 2019https://transmediajournalism.org/wp-content/uploads/2019/09/pump.jpgDesertification in the SahelMultiple stages of a narrative in one frame: Pumping water in Burkina Faso. © Kevin Moloney, 2019https://transmediajournalism.org/wp-content/uploads/2019/09/medics_06.jpgMedics_06Explicit emotion: A combat medic and his wife say goodbye before deployment to the Persian Gulf. © Kevin Moloney, 2003https://transmediajournalism.org/wp-content/uploads/2019/09/cuba_19.jpgOn the streets of Havana, Cuba, March 2000.https://transmediajournalism.org/wp-content/uploads/2019/09/011flip.jpg011FlipFalling action: Hurricane displacement in Florida. © Kevin Moloney, 20192019-11-20T20:46:46+00:00monthlyhttps://transmediajournalism.org/2019/08/22/language/https://transmediajournalism.org/wp-content/uploads/2019/08/media-form.pngMedia Formhttps://transmediajournalism.org/wp-content/uploads/2019/08/spectrum.001-1.pngspectrum.001https://transmediajournalism.org/wp-content/uploads/2019/08/spectrum.001.pngspectrum.001https://transmediajournalism.org/wp-content/uploads/2019/08/mcluhan.jpgMcLuhan2019-08-22T11:52:59+00:00monthlyhttps://transmediajournalism.org/2013/10/22/breaking-news-as-native-transmedia-journalism/https://transmediajournalism.org/wp-content/uploads/2013/10/newlife_crime_scene_01.jpgNew Life crime scene images for POOLAs many as twenty bullet holes riddle the entryway of the New Life church in Colorado Springs, Monday, Dec. 10, 2007, where a day earlier a gunman entered the building. Two are dead in addition to the gunman and another two are injured in the second shooting to hit a Colorado religious organization in a day. The gunman in the Colorado Springs shooting was killed by a church security guard. Two are dead in a possibly related shootings at a dormitory for missionaries in Arvada, Colo., a suburb of Denver.2019-08-22T10:40:41+00:00monthlyhttps://transmediajournalism.org/2019/08/15/building-blocks-for-complex-publishing/https://transmediajournalism.org/wp-content/uploads/2019/08/media_taxonomy_4b.pngMedia_Taxonomy_4bA Media Taxonomy2019-08-21T18:16:28+00:00monthlyhttps://transmediajournalism.org/2017/11/21/an-emerging-media-design-and-development-sampler/https://transmediajournalism.org/wp-content/uploads/2017/11/emdd_low_res_34.jpgMegan McNamesMegan McNames, Director of User Experience at Emplify.https://transmediajournalism.org/wp-content/uploads/2017/11/moloney.jpgMoloneyDr. Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2017/11/img_16922.jpgCenter for EMDDThe Creative Projects lab at the Center for Emerging Media Design and Development at Ball State University.https://transmediajournalism.org/wp-content/uploads/2017/11/img_1690.jpgCenter for EMDDThe Creative Projects lab at the Center for Emerging Media Design and Development at Ball State University.https://transmediajournalism.org/wp-content/uploads/2017/11/img_1904.jpgJenn PalilonisDr. Jennifer Palilonishttps://transmediajournalism.org/wp-content/uploads/2017/11/img_1828.jpgIMG_1828https://transmediajournalism.org/wp-content/uploads/2017/11/img_1823.jpgIMG_18232017-12-04T20:50:49+00:00monthlyhttps://transmediajournalism.org/2014/04/21/multimedia-crossmedia-transmedia-whats-in-a-name/https://transmediajournalism.org/wp-content/uploads/2014/04/77cok0021.jpg77cok002https://transmediajournalism.org/wp-content/uploads/2014/04/i-news.pngI-Newshttps://transmediajournalism.org/wp-content/uploads/2014/04/nyt_snowfall_homepage-large-opt.pngnyt_snowfall_homepage-large-opt2017-11-21T15:11:36+00:00monthlyhttps://transmediajournalism.org/contexts/sna/https://transmediajournalism.org/wp-content/uploads/2015/05/inout.pngInOutThe graph shows two hubs that have strong centrality among the internal and external link connections — the FoF project Web hub, in the lower right, and The Plate in the upper left. A third Web hub in the project, that for the “EAT: The Story of Food” miniseries, is dispersed on the lower left. The tightly organized and contained nodes surrounding the FoF hub contrast sharply with the complex structure surrounding The Plate. The origin of this difference is the conversational nature of the blog format. With the food hub at lower left we see exclusively inbound links coming from a high percentage of blue .org sites. These food- and sustainability-related organizations link to the project as a service for their publics. The links are inbound. In contrast, the similar-looking structure below the The Plate node in the graph — a tight crescent of nodes — are outbound links from The Plate to source material and related external content. https://transmediajournalism.org/wp-content/uploads/2015/05/channel-story_final.pngChannel-Story_FinalNot apparent in the graph due to its size and complexity is the direction of the connections. In most cases above the connections do not radiate outbound connections from a channel node, rather the connections converge into the large, highly central channel nodes. To rephrase, the stories connect to the channels and hubs far more often than the channels hubs connect out to stories.https://transmediajournalism.org/wp-content/uploads/2015/05/channel-story_tree.pngChannel-Story_TreeAs it represents all 823 stories and 472 social media posts, the graph is very complex. But conspicuous here are the outlier subnetworks, positioned along the periphery by the algorithm for the lack of interrelation with other nodes. Nearer center are the more related and interconnected (central) subnetworks including The Plate, Instagram feed, the daily news service and the National Geographic magazine among others. Here two statistics regarding the size and structure of the network are illustrative. In the graph above the maximum geodesic distance — how many hops required to get from one connected node to the furthest possible node — is eight. The average geodesic distance is 2.99. Without a comparison to make with other transmedia projects studied with similar measures it is difficult to judge this statistic. However, for an engaged reader the average above does not seem daunting, and a worst-case scenario of eight is not impossible. The most difficult complication to exploration are nodes or subnetworks with few connections to the rest of the project.https://transmediajournalism.org/wp-content/uploads/2015/05/channel_story_boxes.pngChannel_Story_Boxes2017-09-26T15:22:29+00:00weekly0.6https://transmediajournalism.org/2012/11/05/transmedia-journalism-as-a-post-digital-narrative/2017-11-27T09:05:57+00:00monthlyhttps://transmediajournalism.org/2012/07/02/at-the-cathedral-of-the-immaculate-information/https://transmediajournalism.org/wp-content/uploads/2012/07/rossicommunion.jpgRossiCommunionhttps://transmediajournalism.org/wp-content/uploads/2012/07/rossicrowd.jpgRossiCrowdhttps://transmediajournalism.org/wp-content/uploads/2012/07/rossimonstrance.jpgRossiMonstrancehttps://transmediajournalism.org/wp-content/uploads/2012/06/044exorcism.jpg044Exorcismhttps://transmediajournalism.org/wp-content/uploads/2012/06/libcats019.jpgThe Other Catholicshttps://transmediajournalism.org/wp-content/uploads/2012/06/riochurchdoor.jpgRioChurchDoorhttps://transmediajournalism.org/wp-content/uploads/2012/06/057lapazline.jpg057LaPazLinehttps://transmediajournalism.org/wp-content/uploads/2012/06/outcats_01.jpgCatholic Fringe -- Liberal Catholic Church2012-07-03T05:17:46+00:00monthlyhttps://transmediajournalism.org/2012/02/13/within-limits-and-free-of-constraints/https://transmediajournalism.org/wp-content/uploads/2012/02/paul_moloney_1957_.jpgPaul_Moloney_1957_Paul F. Moloney photographs from the sidelines of a football game in 1957, for the Greeley Tribune. My father worked through the apex of one-to-many mass media in the U.S.2012-02-12T23:31:51+00:00monthlyhttps://transmediajournalism.org/contexts/building-transmedia-journalism/https://transmediajournalism.org/wp-content/uploads/2011/07/ramsey_06.jpgRamsey_06https://transmediajournalism.org/wp-content/uploads/2011/07/notebook1.jpgFor Brooke story on Sextuple murder in Denver suburb© Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/07/mania_tv_01.jpgManiaTVUpstart Mania TV — Fresh graduates producing broadcasts from an old school bus in an industrial park. © Kevin Moloney, 2006https://transmediajournalism.org/wp-content/uploads/2011/07/game.jpggameHurricane Katrina: Tempest in the Crescent City game. Click tp play.https://transmediajournalism.org/wp-content/uploads/2011/07/burkinapump.jpgBurkinaPumpA community pump in Burkina Faso built with individual donations to the donors were led to believe went to soecific children in their membership materials. © Kevin Moloney, 1998https://transmediajournalism.org/wp-content/uploads/2011/07/packer_34.jpgThe original written death sentence of Colorado cannibal Alferd Packer sits on display in the courtroom where he was tried and convicted a first time in 1883, nine years after he was accused of murdering and eating five traveling companions. The last sentThe 1883 death sentence of convicted canibal Alferd Packer. © Kevin Moloney, 2004https://transmediajournalism.org/wp-content/uploads/2011/07/back_page_belmar_06.jpgBack_Page_Belmar_06© Kevin Moloney, 2007https://transmediajournalism.org/wp-content/uploads/2011/07/anchor_ernie_bjorkman_12.jpgAnchorman Ernie Bjorkman, the voice of Denver© Kevin Moloney, 2008https://transmediajournalism.org/wp-content/uploads/2011/07/santa_fe_modern_86.jpgThe 400th Anniversary of Sante FeCooperative art in creation at the Meow Wolf Gallery in Santa Fe, N.M. © Kevin Moloney, 2010https://transmediajournalism.org/wp-content/uploads/2011/07/andre_rieu_elsevier_51.jpgAndre Rieu and the Strauss Orchestra© Kevin Moloney, 20072023-01-31T20:23:12+00:00weekly0.6https://transmediajournalism.org/contexts/transmedia-journalism-principles/https://transmediajournalism.org/wp-content/uploads/2011/07/elmorro.jpgElMorroA medium is anywhere a story can be effectively told.https://transmediajournalism.org/wp-content/uploads/2011/07/36hours_santa_fe_24.jpgA Weekend in Sante Fe, New MexicoA medium is anywhere a story can be effectively told.https://transmediajournalism.org/wp-content/uploads/2011/07/eugenics.jpgeugenicshttps://transmediajournalism.org/wp-content/uploads/2011/07/luceo.jpgluceoClick to explore.2017-11-28T16:32:42+00:00weekly0.6https://transmediajournalism.org/contexts/what-is-transmedia-storytelling/https://transmediajournalism.org/wp-content/uploads/2011/08/dracula_ipad_1.jpgdracula_ipad_1Dracula, on the iPadhttps://transmediajournalism.org/wp-content/uploads/2011/08/flashdriveno0.pngFlashdriveno0https://transmediajournalism.org/wp-content/uploads/2011/08/jaxxon31.jpgJaxxon3https://transmediajournalism.org/wp-content/uploads/2011/08/24_starwarsplay_2011_5_13_bk01.jpg24_StarWarsPlay_2011_5_13_BK01https://transmediajournalism.org/wp-content/uploads/2011/08/jaxxon-gamer.jpgJaxxon-gamerhttps://transmediajournalism.org/wp-content/uploads/2011/08/8mm.jpg8mmhttps://transmediajournalism.org/wp-content/uploads/2011/08/avatar-big2.jpgavatar-bighttps://transmediajournalism.org/wp-content/uploads/2011/08/religion.jpgTemples of Burma© Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/08/coonskin1.jpgcoonskin2014-01-22T03:38:18+00:00weekly0.6https://transmediajournalism.org/2011/11/23/transmedia-journalism-in-principle/https://transmediajournalism.org/wp-content/uploads/2011/11/36hours_santa_fe_24.jpgA Weekend in Sante Fe, New MexicoA factual story can be told in more ways and more places than journalists usually consider. © Kevin Moloney, 20102011-11-23T04:27:48+00:00monthlyhttps://transmediajournalism.org/contexts/https://transmediajournalism.org/wp-content/uploads/2011/07/border3.jpgFor Janofsky story on immigrationComplex issues, with multiple personal perspectives and possible storylines lend themselves well to a transmedia approach. © Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/07/092opcrosses.jpg092OPCrossesReligious ritual and symbolism is one of many historic transmedia storytelling devices. © Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/07/denver_papers_011.jpgDenver_Papers_01© Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/05/emphasis.pngemphasishttps://transmediajournalism.org/wp-content/uploads/2011/05/kick.pngkickhttps://transmediajournalism.org/wp-content/uploads/2011/05/matteich-bluesky-poster.jpgMattEich-BlueSky-Posterhttps://transmediajournalism.org/wp-content/uploads/2011/05/cutthroat.pngcutthroatClick to play.https://transmediajournalism.org/wp-content/uploads/2011/05/cnfb.pngcnfbClick to explore.https://transmediajournalism.org/wp-content/uploads/2011/05/stroome.pngStroomehttps://transmediajournalism.org/wp-content/uploads/2011/05/luceo.pngluceoClick to explore.2011-11-21T21:50:09+00:00weekly0.6https://transmediajournalism.org/contexts/where-journalism-has-gone-before/https://transmediajournalism.org/wp-content/uploads/2011/07/3336451-0008-103-00000007.gif3336451.0008.103-00000007https://transmediajournalism.org/wp-content/uploads/2011/07/banintroduction.gifbanintroductionhttps://transmediajournalism.org/wp-content/uploads/2011/07/tab.pngtabhttps://transmediajournalism.org/wp-content/uploads/2011/07/samsung-galaxy_tab-hand-sm.jpgsamsung-galaxy_tab-hand-smhttps://transmediajournalism.org/wp-content/uploads/2011/07/trib.pngTribhttps://transmediajournalism.org/wp-content/uploads/2011/07/wgn-logo1.jpgwgn-logo1https://transmediajournalism.org/wp-content/uploads/2011/07/karr_01.jpgKarr_01JonBenet Ramsey media frenzy. © Kevin Moloney, 2006.https://transmediajournalism.org/wp-content/uploads/2011/07/911.jpg911https://transmediajournalism.org/wp-content/uploads/2011/07/nyt.jpgThe New York Times building reflects in a theater window above Times Square.The former New York Times Building. © Kevin Moloney, 2005.2011-11-21T21:49:17+00:00weekly0.6https://transmediajournalism.org/contexts/principles-of-transmedia/2011-11-21T21:37:03+00:00weekly0.6https://transmediajournalism.org/contexts/the-lure-of-games-and-the-power-of-networks/https://transmediajournalism.org/wp-content/uploads/2011/09/ff_arg_tshirt_14.jpgff_arg_tshirt_14https://transmediajournalism.org/wp-content/uploads/2011/09/ailogo.gifailogohttps://transmediajournalism.org/wp-content/uploads/2011/09/omg.gifOMGhttps://transmediajournalism.org/wp-content/uploads/2011/09/omg.jpgOMGhttps://transmediajournalism.org/wp-content/uploads/2011/09/halo_youth_group_01.jpgHalo_Youth_Group_01© Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/09/buenos_aires_cafes_21.jpgCafes and Bars of Buenos Aires‚ an Authentic Argentine Culinary ExperienceCafé de García, Buenos Aires. © Kevin Moloney, 2008.https://transmediajournalism.org/wp-content/uploads/2011/09/denver2.jpgFor Terror coverage© Kevin Moloney2022-04-09T06:11:23+00:00weekly0.6https://transmediajournalism.org/2011/11/04/old-models/https://transmediajournalism.org/wp-content/uploads/2011/11/02hallranchbarrel.jpg02HallRanchBarrelhttps://transmediajournalism.org/wp-content/uploads/2011/11/dnc_thursday_0489.jpgDNC Obama2011-11-04T13:29:16+00:00monthlyhttps://transmediajournalism.org/2011/09/14/agency-game-and-the-transmedia-story/https://transmediajournalism.org/wp-content/uploads/2011/09/lara-croft_bust.jpglara-croft_busthttps://transmediajournalism.org/wp-content/uploads/2011/09/68055d1313493469-mortal-kombat-mortal-kombat-pic.jpg68055d1313493469-mortal-kombat-mortal-kombat-pichttps://transmediajournalism.org/wp-content/uploads/2011/09/macbeth_4_md.gifmacbeth_4_mdhttps://transmediajournalism.org/wp-content/uploads/2011/09/macbeth_4_lg.gifmacbeth_4_lghttps://transmediajournalism.org/wp-content/uploads/2011/09/denver21.jpgFor Terror coverage© Kevin Moloney2011-09-13T23:15:47+00:00monthlyhttps://transmediajournalism.org/2011/08/29/lost-in-a-matrix-of-avatars-principles-of-transmedia/https://transmediajournalism.org/wp-content/uploads/2011/08/gaffsunicorn5ye1.jpggaffsunicorn5ye2011-08-27T21:50:41+00:00monthlyhttps://transmediajournalism.org/2011/08/15/world-building/https://transmediajournalism.org/wp-content/uploads/2011/08/crazy-horse-1.jpgCrazy Horse Monument Continues after 50 Years© Kevin Moloneyhttps://transmediajournalism.org/wp-content/uploads/2011/08/026baniadobe.jpgMany Mosques of Bani, Burkina Faso© Kevin Moloney2011-08-15T03:24:23+00:00monthlyhttps://transmediajournalism.org/2011/07/30/welcome-2/https://transmediajournalism.org/wp-content/uploads/2011/07/the-matrix1.jpgThe Matrixhttps://transmediajournalism.org/wp-content/uploads/2011/07/the-matrix.jpgThe-Matrixhttps://transmediajournalism.org/wp-content/uploads/2011/07/star-wars-episode-iv-a-new-hope-original-motion-picture-soundtrack.jpgstar-wars-episode-iv--a-new-hope-(original-motion-picture-soundtrack)https://transmediajournalism.org/wp-content/uploads/2011/07/hunchpaper.jpgWild Art© Kevin Moloney2023-05-27T19:41:56+00:00monthlyhttps://transmediajournalism.orgdaily1.02025-01-29T20:35:11+00:00